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Black Jewels

The HWG Is Thankful For Good Writing!

11/1/2015

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We here at Harlem Writes are grateful for many things: stilettoes you can actually walk in, free public libraries, music, and of course cheese! But what we are most thankful for as the year winds down, besides our health, naturally, is the blessing of being surrounded by some truly talented writers. The work of the members of The Harlem Writers Guild, published and what we are fortunate enough to read as it is being shaped and brought to life, offers inspiration, insight, laughter, joy, and a lovely way to spend a few hours curled up in bed or on the sofa.

Below is a snippet, a taste, a tease of what our members have got cooking. For more and to support artists who need and deserve to get the word out, please go to amazon.com and purchase a little bit of Harlem. After all, it never hurts to get a jump on the holidays. We will thank you! 

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Harlem 1943

Frieda heard the sound and ignored it. When she heard it again, she opened the window and leaned out. The noise had come from the direction of the avenue and was faint, barely distinguishable from the other, ordinary, night summer sounds. She strained for a better view but, as usual, was blocked by the fire escape.

            She listened intently for the sound of a motorcade. Perhaps it was another Negro Freedom rally organized by Paul Robeson, or it might be Mayor LaGuardia again, touring Harlem as he had done a few weeks ago with the Librarian president. But those motorcades always came up Seventh Avenue and this sound, this noise was different… In the Shadow of the Peacock, Grace Edwards

Elktown

            It was one of those hot, smothering summer afternoons in Elktown, the kind that makes you think you got asthma. 1983 was a hard year. How I had once dreaded coming back, but where else could I go? I had been to the West Coast, East Coast, and even to a far-off country, only to be broken by life or things I didn’t understand. More than anything in the world, I wanted to be whole, have children, and have a life like you see in Life magazine. At 33 years of age, I was back where it all started. I was still about five foot three inches tall and barely one hundred pounds, with my thick hair still down to my shoulders. I was indeed back where it all started. Most people said I looked like a young Diana Ross when she was a teenager. I hadn’t lost my smile, though. I’d just lost my way. I had come back now to live with Mama. I needed to be still… Weaver, Miriam Kelly Ferguson

A Home in West Woodlawn

Even though Chicago’s West Woodlawn community was a tight little island---with Cottage Grove as its eastern border and South Park, (now King Drive) it western, and Sixty-third to Sixty-ninth Streets its north/south boarders---it was not a closed little island. It was a place where aspirations could be realized, a place where role models were abundant, where lawyers and laborers lived on the same block, where day-workers and doctors worshipped at the same church, where stockyard-workers and school teachers shared the same seat on the streetcar. It was a place where a person had a chance to fulfill his potential, where not being white was not an excuse for not being successful. West Woodlawn was an oasis in a sea of black migrants from the south… Girl, Don’t You Jump Rope: a memoir, Betty Anne Hennings Jackson

1995
Mommy never minced words. Instead of saying hello, she stood on my welcome mat, greeting me with an insult. “You don’t look good. You’re not getting enough sleep.”

Sleep. What was that? I’d had fifteen weeks off, but maternity leave was no vacation. I spent the entire time nursing, changing diapers, grocery shopping, cooking, cleaning, doing laundry, and running back and forth to doctor’s appointments. Not to mention dealing with Spider. If Tee-Bo wasn’t crying, Spider was calling; they tag teamed me. I opened my apartment door all the way, yawning, “I haven’t slept since March…” Love Changes, Eartha Watts-Hicks 

"Pssst!"

Harlow Ophelia Jackson’s skin---ebon silk and southern moonlight according to several male acquaintances---absorbed the light from the burning cigarettes of her patrons and the table lamps grouped in a semi-circle around the stage. And as she shook and gyrated to the syncopated beat of Jimmy Boom Boom Vicks’ drums, the spotlight slipped and slid over her glistening skin, and sparked the blue lowlights of her sleek black pageboy.

“Pssst! Harlow!”

Throwing her hands out in front of her, enticing and rejecting as she smiled, all thirty six teeth and one deep dimple on display, 

Harlow ignored the low hiss of her name, concentrating on the intricate steps of the dance. Her body, the darkest to ever grace the stage of the windowless club---the black coffee in the cream of Billy Stacks' Speakeasy and Jazzatorium---flashed against a white velvet backdrop as she spun. 

"Harlow Ophelia!"

Her name hissed louder and more insistent, recognition began to seep through adrenalin built up over the past thirty minutes like a cresting fever. The gruff, tobacco stained bass could only belong to one person. Dancing towards her finale, the dozens of silver beads on her blue satin costume convulsing, Harlow managed to keep her pencil darkened eyebrows from rising in surprise. What the hell was B.B. up to? Speaking Is Easy (unpublished), K.C. Washington 

The Early Times Old Style Kentucky Whiskey tasted good for breakfast. I took another sip as I worked on my third glass and reread a passage from an article my father wrote in a newspaper the year I was born. It was five o’clock, Christmas morning, 1999, and I waited.

People, places, and things never really die because my mind holds them when I’m not paying attention, like gene pools or circles or photographs connecting to the beginning of my life.  My hands danced across my face wiping tears away as I read the last poem I’d written in my journal, after Blue Greene went home to take care of business, a prayer for my own healing. Birthday’s have a way of making me pray.

I observed photographs of my parents, myself, and a love letter my father had written to me on the day I was born that I found hidden beneath my mother’s mail in a top dresser drawer when I was eight and discovered the scent of Chanel No. 5 perfume on my fingertips.

Last night, the hospital had called me before Blue Greene had. My father’s pressure had been dropping all evening. Daddy had been in a diabetic coma for two days.

Waiting for death a day before my birthday when I was 12 gave me anxiety every birthday after that because I was always waiting for a phone call telling me that someone had died. For 17 years, I’ve been waiting, only to find out that now, at age 29, I can’t handle it… An Ocean of Jewels, Judy C. Andrews

Dawn, the beginning of the southern work day. The sky ain’t blue yet, and the air is still damp with dew but all is right with mother earth once you hear the Blacksmith’s hammer hit the anvil. 

The big man forges metal with long even strokes and the sound, a sound that assures you that God is in his heaven, echoes through the sweet smelling morning as the sun shines on trees filled with hummingbirds, bushes dripping of honeysuckle, roads lined with dogwoods and pines, yards filled with cocks crowing and their hens cackling as they lay. All God’s creatures and all God’s children are in dreamy attendance as the sound fills the universe for the steady ringing of the Blacksmith’s hammer is calling it to order. 

While some folks still lay snug under their covers in the dewy Atlanta dawn, the big cocoa brown Blacksmith has risen and seen what those who dream under the watchful eye of the Lord could not see. While dark still rules the sky the big man, the Blacksmith named William Brown, rolls over in a bed almost too small for him to share with another person and kisses the long haired part Indian woman at his side. He clings to her with a passion they have never spoken of, and then he lets her go. There is no time to go beyond the morning kiss to linger in their familiar embrace. He is the last of Atlanta’s great smithies and the city will be waiting for him come dawn. She rises with him, the long gown that has rolled up above her hips in the night falling daintily to cover her legs. She stares at the mirror above the heavy wood dresser, picks up a silver handled brush and begins to go at her hair with quick strokes…The Blacksmith’s Daughter, Minnette Coleman

Happy Thanksgiving to you and yours from Harlem Writes!

And Remember, Write to Delight!
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Living & Serving History: Celebrating The Harlem Renaissance The HWG Way

10/4/2015

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  You think you know. We all think we know, but do we? Nope. There were the writers of course: Countee, Zora, James Weldon Johnson, and the musicians: Eubie, Bessie, and Ethel. But what about the visual artists: sculptor Meta Warrick Fuller, painters Aaron Douglas and William H. Johnson, and the movers, shakers and great thinkers? 

Men and women like Professor Alain Locke of Howard University’s Philosophy department, Madame C. J. Walker’s daughter A’Lelia, the grand dame of Harlem society, and Regina Andrews a librarian at the 135th Street library (soon to be renamed the Schomburg Center for Research in Black Culture) were not only visionaries, but also brave soldiers like the Harlem Hell Fighters, demanding they be allowed to take the field, be allowed to show the world their talent, their mettle. They are the ancestors of Morrison, Walker, Baldwin, and Wright. 

If Eubie Blake and Noble Sissle hadn’t dared to change the shape and tenor of the Great White Way with their groundbreaking 1924 all Negro musical Shuffle Along (which is being revived and brought to the stage in 2016 by none other than Audra McDonald and George C. Wolfe) there would be no August Wilson. Without men like the musical innovator and businessman James Reese Europe, sadly killed before his time, and Paul Robeson, with his reinterpretation of the Negro spiritual, which helped the form crossover to the mainstream, there would be no Thelonious Monk, no Miles Davis, no Guru, no Janelle Monae, or Sharon Jones. And of course without Nella Larsen, Jessie Fauset, and WEB DuBois there would be no Melissa Harris Perry, Michael Eric Dyson, Ta-Nehisi Coates, and no Harlem Writers Guild.

The Guild, born as an outlet for African-American writers to hone their craft, evolved from the Committee for the Negro in the Arts. The Committee, founded in the 1940s, harassed and blacklisted, finally disbanded when their WPA funding dried up. Remnants of the Committee, excluded from the mainstream literary scene, created their own workshop to develop and assist in the publication of writers of the African diaspora, such as Douglas Turner Ward, Ossie Davis, Paule Marshall, Audre Lorde, and Sarah E. Wright. So, no Renaissance no Committee. No Committee no Guild. Get it?

We think we know the Harlem Renaissance and all that it means and what it did for not only African American culture but the world, but like other moments in history from the World War One to the Civil Rights Movement, we are usually fed the highlights and big names. We know that the Harlem Renaissance put black writers, artists, and thinkers on the map, gave them a modicum of power and prestige never before felt by the community, but what we sometimes fail to note, to appreciate is that just as Harlem is not just a handful of blocks and avenues but a state of mind, it is also, dare I say, a kind of social contract placed in the hands of every writer, artist, and thinker white or black. We are obligated to create and evolve. Eubie, Josephine Baker, Wallace Thurman labored under unforgiving and uncertain conditions. They broke unforgiving and uncertain ground. They went to the mountain top and planted their flags. The life of those who will not keep to their place can be rocky, and we are still stumbling on the rubble left behind, but our path is still so much smoother than theirs. If we are truly to call ourselves artists, and in the case of the Guild, writers, we have to continue to push the boulders in our path out of the way and strive forward on the shoulders of giants. 

Be sure to check back next month to find out what the HWG is thankful for!
​
K.C. Washington
Write to delight!
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First On The Block: The True Story Of The Little Guild That Could

9/1/2015

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Hello and welcome to Harlem Writes, the official blog of the Harlem Writers Guild (HWG). I’m K.C., the baby of our little scribe tribe, and the first guest blogger of the newly minted Harlem Writes (HW). It’s my mission (if I chose to accept, and I do!) to introduce you to my mothers, fathers, sisters, brothers, aunties, uncles, play cousins, and their works of fiction, poetry, essay, and more. And trust me, you’re going to want to get to know them! Our members, past and present, from Rosa Guy (a founding member, and author of among others My Love, My Love: Or, the Peasant Girl) to Grace Edwards (Mali Anderson Mysteries), make up a veritable who’s who of African American literature. 

Founded in 1950 as a direct response to a lack of exposure, support, and diversity in American literature, the HWGis not only the oldest, but also the longest, continuously running writer’s group comprised of African American writers in the world. Through the decades a roster of phenomenal talent such as John Oliver Killens (another founding member, and author of Youngblood) and the missed and beloved Ossie and Ruby Davis (With Ossie and Ruby: In This Life Together) have graced our family reunions, aka our bi-monthly meetings.

            While there are a handful of reputable writers groups and workshops who can boast of an impressive list of scribblers, and who nurture and provide a safe space to publish like Callaloo and Kimbilio, along with a history of publishing excellence (dozens upon dozens of works of fiction and nonfiction), the HWG has a mission. Our mission is not merely wider exposure and publishing opportunities for our coterie of canon worthy writers, but also an expansion of our family. It is imperative that our members such as Miriam Kelly Ferguson (Weaver), Eartha Watts Hicks (Love Changes), Minnette Coleman (The Blacksmith’s Daughter) and our esteemed Director Diane Richards (Sowa’s Red Gravy Stories) rub shoulders with other like-minded, ambitious scribes in order to stay relevant. Because sadly, our dirty little family secret is that although we are old, wise, and respected in some circles, we do not enjoy our fair portion of literary light. Over the years, we have lost a touch of our shine but with our newly revamped website (www.theharlemwritersguild.com) and our fancy new blog, we are determined to take our rightful place in the literary sun.

We want and deserve to be a touchstone for new and emerging writers, as well as a valued, historical archive that MFA and doctoral candidates and researchers can access. We want and deserve to be the first ones that come to mind when an editor is looking for a quote on the state of black writing, or an event planner is looking for an author for its panel. Holding our bi-monthly meeting at the world renowned Schomburg Center for Research in Black Culture with whom we often collaborate, we are extremely cognizant of the importance of chronically our past, but we also understand the importance of the here and now. We need to embrace the past and the present so that we may march purposefully into the future.

            And this is why the HWG has launched our Harlem Writes blog. On a monthly basis, we will showcase our works in progress, let you know about new releases and upcoming events,  share our thoughts on recently released books, and our excitement over new writers we’ve discovered, whether they’re members of the guild or not (although of course we hope they will become members!) We cherish our motely brood of current members, but we also cherish writers of the African diaspora who didn’t originate in Harlem. I, myself, started in California, migrated to Brooklyn for twenty-one years, and now live in Washington Heights (Harlem adjacent to be sure!) We will never turn anyone away at the border!

            In the coming months you will learn more about our HWG family, our goals, hopes, and dreams, and we hope to learn more about you as you reach out to us and let us know what you’re interested in. Just remember, Harlem is not just a destination, it’s a state of mind, and as Harlem continues to write its fascinating story, so to shall the Harlem Writers Guild. 

Be sure to check back next month when we explore Harlem’s rich literary history and how it has influenced current writers, and the importance of tradition and longevity.   

K.C.
Write to delight
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